When Poetry Is Read as Theology. Heresiology versus Bhakti: Part Two

Editorial Introduction to Part Two

This article, Heresiology vs. Bhakti — Part Two, is the continuation and deepening of the reflection started in Part One, where I explored how bhakti poetry and Christian heresiology speak very different languages. In Part One, I showed that in traditions shaped by canonical authority, deviation from fixed doctrine is rightly treated as a threat. By contrast, in the bhakti tradition there is no category of “heresy”—only relationship, experience, intimacy, and exploration of the divine. (dayanandbharati.in)

There I also reflected on two of my BT Songs (1743 and 1744), showing how themes that feel natural in a bhakta’s heart—such as the idea of the divine present within or of God entering the lover’s inner silence—would be classified as theologically problematic from certain Christian perspectives. Part One concluded by raising a critical question: how would a Christian scholar respond to such expressions if they were presented as theological claims? (dayanandbharati.in)

Part Two now answers that question directly. Here we allow the scholarly critique to speak in its own voice—honest, sober, and rigorous—without caricature. Immediately after each point of critique, I offer my own response—clear, reflective, and faithful to the experiential logic of bhakti poetry. Together, the two parts form a sustained dialogue between disciplined theology and devotional experience.

Whether you come from a tradition of doctrinal precision or from the unbounded heart of devotion, this continuation invites you to listen carefully to both voices and discern why the language of the heart may unsettle the language of the academy—and why that unsettlement might itself be spiritually meaningful.

Scholarly Critique and a Poetic Response

(Part One available here:
https://dayanandbharati.in/heresiology-vs-bhakti-part-one/)

Disclaimer

The following scholarly critique is created by ChatGPT and is not the response of any actual Christian theologian or biblical scholar. I did not seek opinions on my article from Christians, for obvious reasons: such a long reflection would most likely be dismissed unread as nonsense. Moreover, I generally write for my own inner necessity and rarely seek external evaluation, with a few exceptions.

That said, since artificial intelligence functions as a mirror of the human intellectual archive and does not produce independent thought, the critique presented here reflects what a typical Christian scholarly response would likely be, based on existing theological patterns. Whether or not this is how any individual scholar would respond, I found the critique meaningful enough to engage with it seriously. What follows, therefore, is my response.

Introduction

In Part One, I argued that heresy is a category native to traditions that prioritize correct belief, while bhakti belongs to traditions that prioritize loving encounter. Christianity, especially in its doctrinal forms, must guard theological boundaries. Bhakti, however, speaks a different grammar—one shaped by intimacy, longing, paradox, and poetry.

This second part takes the argument further. Here, I allow heresiology to speak fully and honestly, without caricature. I then respond—not to escape the charge of heresy, but to show why bhakti-poetry cannot be fully judged by doctrinal instruments alone.

I. What a Biblical Scholar Would Affirm

Before criticizing, a responsible biblical scholar would acknowledge areas of convergence. My claim that God is both the source and the end of thought, for instance, would be seen as resonating with Christian mystical voices such as Meister Eckhart, The Cloud of Unknowing, and St. John of the Cross. In this respect, the intuition expressed in my songs is not alien to the Christian tradition.

Similarly, my insistence that theology must arise from lived spiritual encounter rather than mere textual exegesis would find echoes in the Johannine tradition—“You have an anointing… and you need no teacher” (1 John 2:27). Scholars would also appreciate the phenomenological transparency of my writing: I do not conceal the inner process by which experience is articulated.

These affirmations establish an important point: the language I use emerges from within a recognizable mystical stream of Christianity, even if it does not remain confined to it.

II. Where a Biblical Scholar Would Accuse Me of Heresy — and My Response

1. Claim: “God seeks to know Himself through me.”

Scholarly critique

A scholar would object that such language implies a deficiency in God’s knowledge. Classical Christian theology insists that God is omniscient and complete. To suggest that God comes to know Himself through human consciousness appears closer to Hegelian self-realization than to biblical theism. It risks collapsing the Creator–creature distinction and would be classified as panentheistic or process-relational theology rather than orthodox Christianity.

My response

I never said that God is not all-knowing. God may indeed be omniscient. Yet, once God freely creates the cosmos and the human self, a new relational reality comes into existence. This does not indicate a lack in God but a relationship God Himself has willed.

My language here is poetic and relational, not metaphysical. In many Vedānta traditions, reflection turns around the relationship between Ātman, Brahman, and Jagat. Drawing from this imagination, I sometimes “tease” God in my songs—suggesting that by creating me, God has freely entered into a relationship that includes struggle, response, and intimacy. This is not doctrinal assertion but bhakti freedom.

Poetry is not a theological system. It names lived relationship, paradox, and intimacy. As already acknowledged, these expressions describe a process rather than a final dogmatic statement. I translate poetry into theology here only to show that it is not theological error—not because poetry requires theological justification.

2. Claim: “You are the goal I have already reached within.”

Scholarly critique

A scholar would see this as denying the biblical understanding of salvation as a future consummation. The language resembles Advaita Vedānta, where liberation is an inner realization rather than God’s redemptive act in history. While Christianity affirms divine indwelling, it does not equate God with the believer’s inner essence.

My response

Even within the Bible, salvation is both present and future. “Today is the day of salvation,” Scripture declares, while also speaking of a salvation yet to be revealed. Paul himself holds this tension when he speaks of believers as those who have been saved, are being saved, and will be saved. Hence his exhortation to “work out your salvation with fear and trembling.”

This does not deny future fulfillment; it names the ongoing process of sanctification. When I write, “Why should I run to reach the One I have already reached within?” I am naming an encounter already realized—being found by God, where God Himself is the goal, not merely a future heaven.

This does not imply identity of essence between God and the human self. Even within bhakti-oriented Vedānta, such identity is not affirmed. Advaita itself does not speak of attaining a goal but of removing ignorance. My language belongs to devotional realization, not metaphysical identity.

3. Claim: “God’s voice becomes my thought; God wrote through me.”

Scholarly Critique

Here the concern is primarily ecclesial. A biblical scholar would warn that language suggesting divine dictation or that God writes through a human can border on private revelation and verbal inspiration. Christianity insists that the canon of Scripture is closed, and claims of new revelation outside it are treated with extreme caution. Even when no authority is claimed, such expressions risk what scholars call mystical authoritarianism—where personal experience could be mistakenly elevated to revelatory status.

It is worth noting, however, that the Church itself has long struggled with the tension between guarding orthodoxy and recognizing genuine expressions of faith arising outside the biblical canon. Historical studies on early Christian debates over hymnody and non-biblical texts highlight that discernment has always been necessary whenever lived devotion takes new cultural or poetic forms. My reference to these debates is not intended to legitimize my poetry ecclesially, but to show that even within Christian history, this question has been complex and carefully negotiated.¹

My response

The confusion here lies between canon and inspiration. Canon pertains strictly to Scripture as the foundation of faith. I have never claimed that my poems possess canonical authority or doctrinal normativity.

Poetic writing has always spoken of inspiration, intuition, and insight. Even biblical authors wrote out of inspiration long before their writings were recognized as Scripture. Christianity has never claimed word-for-word dictation in the manner Islam claims for the Qur’an.

When I write, the process is not merely intellectual; it involves silence, receptivity, and attentiveness. This does not diminish human agency—it deepens it. Inspiration is not revelation in the canonical sense, and acknowledging inspiration does not challenge the closure of Scripture. For further discussion, see my related article in this series: Why God Becomes the Text.

4. Claim: “Only the flaws belong to me; all else is God’s thought.”

Scholarly critique

A scholar would see this as an overreach of prophetic language, risking the eclipse of human agency. Even Christian mystics stop short of identifying their own texts as divine thought, precisely to safeguard humility.

My response

Any poet knows that words sometimes arise unbidden, unplanned. Naming this does not deny human agency. In fact, after writing, I revise carefully—attending to structure, rhythm, edugai and monai. The language remains fully human; Tamil remains my own.

When Scripture says, “It will be given to you what you are to say,” it does not deny human speech. My statement that flaws belong to me is an acknowledgment of responsibility, not divinization. Insight may be received; articulation remains human.

III. Likely Scholarly Classification

If a biblical scholar were to assess this work using standard heresiological criteria, they would likely observe that it does not fall within orthodox Christianity. At the same time, they might recognize it as a form of panentheistic mysticism expressed through Christian language. In its approach and imagery, it bears echoes of Rāmānuja’s Viśiṣṭādvaita, Eckhart’s apophatic mysticism, and process-relational theology.

Such a scholar would caution readers not to treat these writings as doctrinal truth, yet they could still be appreciated as serious spiritual poetry. In the end, most would probably describe the author as a bhakti-mystic working within a Christian vocabulary—a classification that is both accurate and respectful.

IV. My Honest Evaluation

Reflecting on this body of work, I find it deeply rooted in lived experience, with a sense of theological awareness that informs the poetry without constraining it. The verses are internally consistent and carry a certain humility, as expressed in lines like, “Only the flaws belong to me.” At the same time, the work naturally carries some theological tension. It blurs the line between human thought and divine action, speaks of God in dynamic, relational terms that unsettle classical notions of theism, and presents salvation more as an ongoing realization than as a juridical event.

None of this is “wrong,” but it does place the work outside the boundaries of Protestant orthodoxy and not entirely within Catholic orthodoxy. It belongs instead to what might be called Muktivedic bhakti-mysticism—a devotional stream where Christian themes and bhakti-inspired surrender and intimacy meet. By its very nature, this stream resists strict heresiological classification, since bhakti often speaks where doctrine can only gesture.

Conclusion

Heresiology exists to guard boundaries.
Bhakti exists to cross them in love.

When poetry is judged as doctrine, it will always appear dangerous. When doctrine is asked to speak poetry, it will always sound thin. This article does not attempt to reconcile the two, but to let each speak honestly—and to show why bhakti, when expressed in Muktivedic language, will inevitably be called heretical, even when it remains deeply faithful to lived encounter with God.

Ashram, December 16, 2025

Footnote / Endnote

¹ See, for example:

  • Jan N. M. Wijngaards, The Adoption of Pagan Rites in Early Israelite Liturgy, pp. 247–256.
  • Kees Abel, Non-Christian Revelation and Christian Worship, pp. 257–303.
  • Michael Amaladoss, Adaptation in Liturgy and the Problem of Meaning, pp. 305–314.

In Gispert-Sauch, S.J. ed. God’s Word Among Men, papers in honour of Fr. Joseph Putz, S.J., Delhi, Vidyajoti, 1973

Abel shows that the early Church’s use of hymns and readings expanded beyond strict biblical texts, but always within clear doctrinal limits. Faced with heretical groups that spread their ideas through hymnody in the fourth century, some bishops initially reacted by opposing hymns altogether, yet by the late sixth and early seventh centuries councils such as Tours (567) and Toledo (633) required the use of approved Christian hymns (like Ambrosian hymns) alongside psalms, affirming that both together properly serve orthodox worship. He then examines non-biblical readings in the Eucharist, noting that although most scholars agree the normal rule was to read only Scripture, there is cautious evidence that some Christian texts (but never non-Christian writings) were occasionally read in eucharistic settings, and he insists that each source must be handled carefully because many do not clearly state whether such readings occurred within the Eucharist or in other forms of worship

Interestingly, in a few Catholic Christian ashrams, Hindu texts have been read during the Eucharist, as was done by Fr. Bede Griffiths and others at Shantivanam (Saccidananda Ashram) in Tamil Nadu. Of course, no regular parish church would do this or permit it. In my own case, I have often used various Hindu bhajans and songs in the worship and pujas held in our ashram, along with some songs that I myself have written.

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